100 Plays!

Post-pandemic, at the start of 2022, recognising that I am never actually going to move to the Home Counties, I resolved that if I lived in London I needed to use it more. I've always been good at exhibitions, but I wanted to do much more live theatre. So I did. I committed myself to going around twice a month, specifically 25 times a year*. Yesterday, I went to the Young Vic for the nuts, but very good, Bengal tiger at the Baghdad Zoo, for #100. It's been superb. Here are some stats.

• 21 musicals, only eight written after I was born
• 25 Shakespeare, half way through a target to see them all
• 6 Pantomimes. We went to two a season in each of 2023 and 2024
• 2 with my own child in. I cannot comment on the quality of either.
• 35 attended alone
• 39 different theatres
• £60 average price, masking a £20 rise between 2022 and 2025

It's changed my life. Here's what I learnt:

• London has loads of theatre on. Twice a month feels like a lot, but I missed plenty.
• Going to the theatre alone is amazing. There is something thrillingly efficient about arriving just in time (ideally by bike), seeing a play, reading a book at the interval, and going straight home.
• I can cycle into pretty much every theatre in central London even if I leave home at 7pm.

Here were my favourites, in the order I saw them:

1. Oklahoma (2022, Young Vic) was a marvel, reimagined and exciting. I even enjoyed the dream ballet. The women - Anoushka Lucas and Marisha Wallace - both outstanding.
2. Night at the Kabuki (2022, Sadler's Wells). 12th century Japanese retelling of Romeo & Juliet and set to Queen’s A Night at the Opera. It was even madder than it sounds and huge huge fun.
3. My neighbour Totoro (2022, Barbican). Everyone loved this. It was charming.
4. The Motive and the Cue (2023, National). Truly mesmerising. Full of cleverness and good on that cultural hinge in the mid century. Absolutely astonishing performance by Mark Gatiss.
5. La Cage aux Folles (2023, Regents Park). I cannot believe I haven't seen this before. It was done exceptionally well.
6. Player Kings (2024, Noel Coward). Possibly Ian McKellan's stage swansong as he injured himself shortly after. I have never heard Shakespeare sound so natural before or since.
7. Fiddler on the Roof (2024, Regent's Park). The structure of this is always lopsided, but this made it work. To Life (L'Chaim) done like a whirlwind; Anatevka with enough lightness to make it heartbreaking. I felt very smug when it transferred to the Barbican.
8. Macbeth (2024, Pinter). David Tennant's Macbeth was superb; what I thought would be a gimmick of giving everyone headphones enabled a range and immediacy that amplified the impact.
9. Midsummer Night's Dream (2025, Barbican). I booked this because it had Mat Baynton in, who does the best Horrible History songs. He delivered a great Bottom, and the final playlet scene was distilled, perfect, pantomime, and the funniest Shakespeare I have ever seen.
10. Much Ado about Nothing (2025, Drury Lane). However much fun I had watching this (and I had a lot of fun), it was less fun than Tom Hiddleston had performing it.
11. The years (2025, Pinter). Powerfully done, very well staged, and fascinating. Extra points for surmounting the tedious audience fainting
12. The Producers (2025, Garrick). I loved this so much that I went home to watch the original film again.

* The exact rubric took a bit of working out, but I decided it was scripted performances, thus stand-up comedy is out (Andy Zaltzman), as are lectures (David Suchet, Christopher de Hamel), but one man shows are in (on Buffy, Life under Mugabe). The line is fuzzy.

Book of the year, 2025

I was nervous for a while, but a high read rate in December kept me exactly on target on reading book numbers, despite a lot of very long (and many cases very good) books. Goodreads stats tell me that though I'm almost exactly the same on number of books as last year, it's seven thousand more pages read. An exceptionally high rate of hard non-fiction topics too, with 41 (34%) history, politics or theology, only bettered in 2005 and 2010. I am thinking of reading more literary criticism next year and this will blow the segmentation.

Books of the month were less clear with a 4-5-3 split between fiction - hard - soft non fiction, though there are some outstanding novels lurking under some of the BOTMs. August was an outstanding month. I am slightly worried about whether monthly is the right way to assess it. I gave 15 five star ratings and these split 4-6-5. Either way, the big undercurrent here is the dominance of America. I wanted to read a lot in response to Trump, and I have: 17 novels (of 60), 11 historical works (of 27), 5 cultural books (of 19) were on America. The first of those is typical, the latter two very much not. For history, that's 40% of all books on US history I have ever read (previous annual record: 2) And almost all those history books were huge. 

Of all the non-fiction, it is therefore inevitable that my favourites would be American. There is a lot to be said for Nicolson's diaries and for Bayes, but this was a year dominated by Lyndon Johnson for me. I loved Caro (apart from the second one), and the best of them all was Master of the Senate. It's beautifully written, and acute on the way that people get things done in small forums. I do think it's hard to read unless you have read the earlier work though and its really really long. Sorry.

Novels were mixed this year and many of the best ones don't appear on BOTM lists. In particular, I also loved Half of a yellow sun and Flaubert's parrot (see above). They just lost out to non-fiction in July and August. The two best novels of all though were books of the month. I loved Rundell's follow up to Impossible Creatures and I think she is an exemplary and enchanting children's author. However, I thought Tan Twan Eng's House of Doors was superb. Evocative of both the people, place and time he was writing about. A jewel.

Jan: B. Wilson, The secret of cooking (2023)
Feb: H. Nicholson, Diaries and letters (2004)
Mar: R. Caro, The path to power (1982)
Apr: R. Caro, Master of the senate (2002)
May: A. Patchett, Those precious days (2021)
Jun: P. Morris, Black Butterflies (2022)
Jul: T. Chivers, Everything Is Predictable: How Bayesian Statistics Explain Our World (2023)
Aug: Tan Twan Eng, The house of doors (2023)
Sep: Guha, India after Gandhi (2017)
Oct: K. Rundell, The poisoned king (2025)
Nov: A. Aswany, The Yacoubian building (2002)
Dec: S. Charles, The Medieval Scriptorium (2024)

List of books rated 5*

Jan (2), B. Wilson, The secret of cooking (2023), G. Ehrlich, The Solace of Open Spaces (1986)

Feb: J. Dench, Shakespeare (2024), E. Morris, Colonel Roosevelt (2010), H. Nicholson, Diaries and letters (2004)

Mar: R. Caro, The path to power (1982)

Apr: R. Caro, Master of the senate (2002), R. Caro, The passage of power (2012)

May: A. Patchett, Those precious days (2021)

Jun: - 

Jul: T. Chivers, Everything Is Predictable: How Bayesian Statistics Explain Our World (2023), C. Adiche, Half of a Yellow Sun (2006)

Aug: H. Chang, Bad Samaritans (2007), J. Barnes, Flaubert's Parrot (1984), Tan Twan Eng, The house of doors (2023)

Sept: - 

Oct: K. Rundell, The poisoned king (2025)

Nov: - 

Dec: - 

Bibliography, December 2025

BOTM: S. Charles, The Medieval Scriptorium (2024)

C. Achebe, There was a country (2013)
A. Berkeley (as F. Iles), Before the fact (1932)
A. Drury, Advise and consent (1959)
M. Grant, Hunger (2010)
T. Harford, How to make the world add up (2020)
S. Mintz, Sweetness and power (1985)
C. Moran, Moranthology (2011)
T. Pratchett, The thief of time (2001)
S. Richards, The prime ministers we never had (2021)
K. Tordasi, Bramble Fox (2022)
G. Treasure, Huguenots (2014)
J. Wood, How fiction works (Revised edition. 2018)

I read widely this month, but not particularly well. Some of these were duffers and I was especially disappointed in Treasure, which was a turgid account of what should be a fascinating history, and Richards, which was facile and unthinkingly partisan. Some good ones here too, though none was a standout. I'm glad I read Wood, but the middle section did disappear into pretention, and Harford was reliably clear and effective, but I've read too many of this type of books. The best of them all was Charles' book on the medieval book production, which was stuffed full of insights and facts. It's a reminder of just how different reading is for us now, and how little attention we pay to that difference when we talk about medieval government. I bought it on sight. I am glad I did.