D. Brin, Sundiver (1980)
J. Critchley, House of vanities (1990)
J. Strachey, Cheerful weather for the wedding (1932)
William Garrood's blog. Reflects my personal views only.
BOTM: S. Sturluson, The Prose Edda (c.1220)
R. Adams, The savage mountains (1979)
R. Adams, The patrimony (1980)
R. Adams, Horseclans Odyssey (1981)
R. Adams, The death of a legend (1981)
P. J. Farmer, To your scattered bodies go (1972)
P. Fitzgerald, The golden child (1977)
T. Penn, The brothers York (2020)
A. Szerb, Oliver VII (1942)
R. Zelazny, This immortal (1966)
Can anyone withhold the water for baptizing these people who have received the Holy Spirit just as we have at the presence of the Lord.It’s a rhetorical question. Peter isn’t expecting anyone to say ‘Yes, actually we can and should withhold the water for baptism,’ though if you persevere with Acts, they do have this exact discussion in the next chapter. There was a fight within the early church between those who would limit the gospel of Jesus to Jews alone, the Nazarenes, and those who, like Peter – and Paul, preached universality.
BOTM: R.A. Heinlein, Double Star (1956)
L. Booth (ed.), Wisden Cricketers' Almanack (2021)
D. Feldman, Unorthodox (2012)
E. Ferrante, My brilliant friend (2011)
H. Freeman, House of Glass (2020)
R.A. Heinlein, Starship troopers (1959)
E. John, Following on (2016)
E. John, Wayfaring stranger (2019)
F. Lieber, The big time (1958)
T. Pratchett, Equal Rites (1987)*
C. Simak, The waystation (1964)
G. Stein, The autobiography of Alice B. Toklas (1933)
A. van Voght, Slan (1940)
I've been very busy at work this month, so I retreated into early science fiction. Listed here are the Hugo award winners from 1940, 1956-9 and 1964. I thoroughly enjoyed them, especially Simak, van Voght, and Heinlein's Double Star. I'm much more glad I read them than Stein's autobiography, which I found hard going. I really liked Emma John's books, especially her one on bluegrass. I also, after a faltering start, really liked My brilliant friend, though it inevitably didn't live up to the hype. House of Glass was similarly interesting.
So, a lot to like, and I struggled to pick a favourite. I think I'd take Double Star, which was exactly what I needed, and which was taut and well done. It's also a plot that in no way required any science fiction whatsoever, but Heinlein put it in anyway.
BOTM: H. Trevor-Roper, The last days of Hitler (1947)
J. Barr, A line in the sand (2012)
J. Erdal, Ghosting (2004)
B. Feirstein, Real men don't eat quiche (1982)
S. Jones, Endless winter (1993)
C. Nichols and P. Hardman, Disrupted (2021)
H. Pearson, The Smith of Smiths (1934)
D. Richards, Outpost: a journey to the wild ends of the earth (2019)
P.G. Wodehouse, Uncle Dynamite (1948)
I am slightly disappointed that I couldn't make yet another book of the month for my favourite Wodehouse character. It was another classic. But I found a few others were outstanding. Surprisingly, Hesketh Pearson's biography of Canon Sydney Smith was not quite there. I loved the character and writings of Smith, but I felt the biography was a little drawn out for my tastes. On the other hand, I properly loved Ghosting. It's obviously an extreme situation, but I thought it trod the balance of substance and frippery very well. If you are at all interested in books and bookmen or 80s and 90s society, it's a fascinating read.
However, everyone should read The last days of Hitler and I cannot imagine why I wasn't made to at school. It's a masterclass in historical method: the issue is important; the available data is circumscribed, but incomplete; the writing is crisp and clear; and it's short. I'm baffled why my history teacher at school suggested Oxbridge candidates read War and Peace and not this.* It's also fascinating on both the absolutely fantastical world of the Nazis by the mid-40s and the precise nature and events of the final days. I don't particularly like the place that the Nazis occupy in our historiography - I feel they dominate our understanding in a deeply unhelpful way, but because of this, these details matter. Anyway, it turns out I didn't know that much about this bit or some of the protagonists and it was superb. Note also, it is worth reading a later edition (mine from the 1990s), as the introduction details with the resurfacing of parts of the story which the Russians had initially hidden.
* This is not a comment on W&P. I love W&P and I'm due another reread.
he truth is that in private life he was exceptionally charming, clever and original, and that he inspired affection. He also inspired fear, perhaps, but he was essentially one of those rare beings who make people want to please them, want to work for them, eager to sacrifice. He identified himself with Germany and this identification was accepted by his countrymen. In his make-up there was both pride and a modesty, even vulnerability, which aroused chivalrous feelings, a very powerful motive force. .... Hitler was the most unselfconscious politician I have ever come across. He never sought to impress, he never bothered to act a part. If he felt morose he was morose. If he was in high spirits he talked brilliantly and sometimes did wonderfully comic imitations.
BOTM: The Mitford sisters, ed. C. Mosley, Letters between six sisters (2007)
T. Gooley, How to read water (2016)
N. Mitford, The Pursuit of Love (1945)
--------, Love in a Cold Climate (1949)
--------, Madame de Pompadour (1954)
--------, Don't tell Alfred (1960)
J. Mitford, Hons and Rebels (1960)
L. Spinney, Pale Rider (2017)
P. Vogler, Scoff: a history of food and class in Britain (2020)
This all got rather out of hand. By coincidence I asked for (and got) Hons and rebels and Madame de Pompadour at Christmas and then it rather snowballed. I've resisted Mitfordania for ages, so I wasn't really expecting to fall into such temptation. I think I'm out now. I'm just reading Diana's memoirs and then I'm done. They were clearly all mad, except possibly for the Duchess of Devonshire, and mostly dreadful to be around, except definitely for the Duchess of Devonshire. The most famous, and best bits, are the early family accounts because the domestic scene are even more bonkers than the rest and have all the family riffing off each other.
As most of the reading was Nancy, I can confirm that the critical view is right. Her later work does decline fast and by 1960, it's Powellian in its failure to really grasp what it going on. The Pursuit of Love is great though. However, I enjoyed the letters best. They are a slog at over 800 pages, but they give the panorama of the relationships, and are almost merciless in what they reveal about the protagonists. None of them (save, predictably, the Duchess of Devonshire) come out well. With many thanks to K, who recommended them.